Jason Botkin
Seen from above, a painter in a wide straw hat leans over a ledge to brush teal paint onto the pavement below.
Seen from above, a painter in a wide straw hat leans over a ledge to brush teal paint onto the pavement below.
Seen from above, a painter in a wide straw hat leans over a ledge to brush teal paint onto the pavement below.

Encounter
is the medium

Encounter
is the medium

Encounter
is the medium

I work through public art and shared creativity to
shape relationships between people and the
places they inhabit.

I work through public art and shared creativity to shape relationships between people and the places they inhabit.

I work through public art and shared creativity to
shape relationships between people and the
places they inhabit.

SELECTED WORK

Aerial view of the Love Letters to the Great Lakes mural at STACKT Market, with visitors walking through the hand-lettered installation

Love Letters
to the Great Lakes

Love Letters
to the Great Lakes

Love Letters
to the Great Lakes

A collective portrait of the Great Lakes, drawn from personal reflections on water and its protection.

A collective portrait of the Great Lakes, drawn from personal reflections on water and its protection.

Millepages — Self Talk

Millepages — Self Talk

A French fresque exploring la langue, perception, and the stories through which we understand ourselves.

A French fresque exploring la langue, perception, and the stories through which we understand ourselves.

Freak Lunchbox

Freak Lunchbox

A candy-cane-coloured dance of marine life, once upon a time woven into the daily experience of downtown Halifax.

A candy-cane-coloured dance of marine life, once upon a time woven into the daily experience of downtown Halifax.

FIELD PRINCIPLES

How people meet.
What they contribute.
What they learn to notice.

How people meet.
What they contribute.
What they learn to notice.

How people meet.
What they contribute.
What they learn to notice.

Six principles guide my practice.

This is a good place to start,
if you’re new to what I do.

Six principles guide my practice.

This is a good place to start,
if you’re new to what I do.

Six principles guide my practice.

This is a good place to start,
if you’re new to what I do.

EN MASSE

EN MASSE

EN MASSE

founded: Montreal, 2009

Scaffolding rises through a room covered floor to ceiling in black-and-white drawings, a figure drawing high on the wall.
Scaffolding rises through a room covered floor to ceiling in black-and-white drawings, a figure drawing high on the wall.
Scaffolding rises through a room covered floor to ceiling in black-and-white drawings, a figure drawing high on the wall.

Learning together
by drawing together.

Learning together
by drawing together.

Learning together
by drawing together.

A collaborative drawing project that creates room for artists to explore shared creativity.


The practice has grown over the years,
including collaborations that now develop
independently of my involvement.


EN MASSE remains a central body of my work — a place to explore shared authorship and
cultivate the relationships that sustain

artistic communities


A collaborative drawing project that creates room for artists to explore shared creativity.


The practice has grown over the years, including collaborations that now develop independently of my involvement.


EN MASSE remains a central body of my work — a place to explore shared authorship and cultivate the relationships that sustain artistic communities


A collaborative drawing project that creates room for artists to explore shared creativity.


The practice has grown over the years, including collaborations that now develop independently of my involvement.


EN MASSE remains a central body of my work — a place to explore shared authorship and cultivate the relationships that sustain

artistic communities


Traces

Traces

Traces

Some works open doors.

Some works open doors.

Some works open doors.

Traces follow experiments, relationships, and changes in direction —and what I carry from them.

Traces follow experiments, relationships, and changes in direction — and what I carry from them.

Traces follow experiments, relationships, and changes in direction —and what I carry from them.

Field Notes

Field Notes

Field Notes

Every project leaves

questions behind.

Every project leaves

questions behind.

Every project leaves

questions behind.

An ongoing notebook of observations from places, conversations, and collaborations.

An ongoing notebook of observations from places, conversations, and collaborations.

On a city street, neighbours gather to watch a man paint a white wall as a small child paints beside a seated man.
On a city street, neighbours gather to watch a man paint a white wall as a small child paints beside a seated man.

Let's begin.

Let’s begin.

Let’s begin.

A place, a question,
a project taking shape.

A place, a question,
a project taking shape.

A place, a question,
a project taking shape.

If you see a connection between this practice and something you’re working toward, I’d be glad to hear from you.

If you see a connection between this practice and something you’re working toward, I’d be glad to hear from you.